Chatter Marks

Thomas Chung says that he’s always been interested in art, even as a child, but that as he got older it became a means of self-preservation. His upbringing was marked by racism and homophobia, and art allowed him to express the emotions he didn’t consciously understand at the time. Those emotions, he would later realize, focused on cultural awareness and compassion, and would come to define much of his professional art.
In addition to being an artist, Thomas is also an assistant professor of Art at the University of Alaska Anchorage. There, he continues to champion diversity, equity and inclusivity. 

Tiffany Shaw-Collinge is an artist, curator and architect based in Alberta, Canada. She says that place and climate contributes to her work in a way that can’t be understated. It’s as integral to her craft as much as it is to her identity. In Part 2 of this conversation, Tiffany talks about her preference for working in a collective—that the whole is always greater than the sum of its parts—and that her ultimate goal is to convey a sense of wonder and belonging in every project she’s part of. 

Tiffany Shaw-Collinge is an artist, curator and architect based in Alberta, Canada. She says that place and climate contributes to her work in a way that can’t be understated. It’s as integral to her craft as much as it is to her identity. Her lineage is Métis, a fact that became more and more part of her professional life after she realized how little indigenous voices and identity are covered. Today, she continues to explore her Métis lineage through her family, and then expressing it through her craft. 

Aaron Leggett is the president of the Native Village of Eklutna. He is also the Senior Curator or Alaska History and Indigenous Culture at the Anchorage Museum. In both of those responsibilities, he’s been a champion and an educator of the Alaskan identity. He’s found that critical thinking is key to understanding how Alaska’s history can help us navigate the present and the future. 
In this conversation, Aaron talks about his responsibilities as the president of Eklutna and how the Museum fits into the larger conversation surrounding Alaska Native equity.

Acacia Johnson is a photographer focused on human relationships to the environment. She spent most of her twenties traveling around Scandinavia and the polar regions, working on ships. Today, she has over 50 expeditions to the Arctic and Antarctica.
In Part 2 of this conversation, Acacia talks about creating a record of stories, of people and place. About how, through photography, she has the opportunity to start important conversations about polar regions—about the people who live there, climate change and, ultimately, the lessons we can learn from it.

Acacia Johnson is a photographer focused on human relationships to the environment. She spent most of her twenties traveling around Scandinavia and the polar regions, working on ships. Today, she has over 50 expeditions to the Arctic and Antarctica. 
In part one of this conversation, she talks about subverting the stereotype of what it means to be an explorer. And that means reframing the image of a man conquering landscapes to an image of a symbiotic relationship between people and the landscapes they live on.

Sebastian Garber is the Senior Designer at the Anchorage Museum and he is currently working on designing a typeface that includes Alaska Native languages. It will be a typeface stripped of geographic references and it will encompass all the necessary diacritic. Diacritics are accent marks that indicate pronunciation. And when finished, it will become the official font of the Anchorage Museum.